Lenses by type
- Panasonic Lumix DC-G9 II
- 25 Megapixel
- Phase detection AF
- Dynamic Range Boost for still images
- with Panasonic Leica DG Elmarit AF 12-60mm f/2.8-4.0 OIS
Panasonic Lumix DC-G9 II + Leica AF 12-60mm + Panasonic AF 50-200mm f/2.8-4.0 Leica DG Vario Elmarit O.I.S. MFT
- compact 35 mm fixed focal length with effective speed (T-stop) 1:1.5
- spectacular 4K lens resolution
- 35 mm full-frame image circle
- industry-standard manual control
- 11-blade diaphragm for attractive background blur
- compatible with 35 mm 35 mm and Super 35 mm cameras with EF bayonet
Canon CN-E 35mm T/1.5 L F Canon EF
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Lens with wide angle of view
- precise manual focus
- almost distortion-free optics
- DeClick function
Zeiss Loxia 35mm f/2.0 Sony FE mount
- Canon RF 24-50mm f/4.5-6.3
- nearly silent AF operation
- powerful image stabilization for videos and photos
- STM focus drive
- small, lightweight body
- ideal for shooting family groups, portraits, interiors and travel
- nearly circular 7-blade iris diaphragm that provides out-of-focus highlights (bokeh)
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- Wide-angle lens for Sony FE mount cameras
- 20 mm focal length
- Minimum focusing distance of 25 cm
- Manual focus
- Consists of 12 elements in 9 groups
Viltrox MF 20mm/f1.8 Sony FE mount
- Super wide angle
- precise manual focus
- almost distortion-free optics
- high-quality all-metal mount
- comprehensive compatibility
- DeClick function
Zeiss Loxia 21mm f/2.8 Sony FE mount
Canon EF 85mm f/1.4 IS USM L Canon EF
- extremely sharp
- very fast (f/1.4)
- 4-stop image stabilizer
- Lens of the L series
- Ring USM autofocus
- ASC coating (Air Sphere Coating) minimizes reflections and ghost images
Canon EF 85mm f/1.4 IS USM L Canon EF
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Switch to fotokoch.de- Macro Lens
- large aperture of f2.8
- beautiful bokeh
- Multi-layer coating
- specially developed macro ring, changes the length of the Lens for macro and portrait photography
- comfortable handling
- optical construction consisting of eleven elements in eight groups
- Use in the camera modes "M", "P" or "Av
- Metal housing
Meike 85mm f/2.8 Macro Micro Four Thirds
- Wide-angle lens with natural perspective
- first-class low-light properties and control of depth of field
- a new standard in image quality
- fast and discrete focusing
- Can be used even under the harshest weather conditions
Canon EF 35mm f/1.4 L USM II Canon EF
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Switch to fotokoch.deCanon EF 24mm f/1.4 L II USM Canon EF
- Lens speed 1:1.4
- Aspherical and UD lenses to correct chromatic aberrations
- Sub-Wavelength Structure Coating (SWC) for significant reduction of stray light and aperture reflections
- Circular aperture for appealing blur effects
- Autofocusing via ring USM; manual focusing possible at any time
- Lead-free glass (complies with RoHS directive)
- incl. lens hood
Canon EF 24mm f/1.4 L II USM Canon EF
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Switch to fotokoch.deCanon EF 16-35mm f/2.8 L III USM Canon EF
- Ultra wide-angle zoom lens
- covers all important wide-angle focal lengths
- outstanding image quality right into the corners of the image, even for high-resolution sensors
- high constant aperture of 1:2.8 for photos in low light conditions or pleasant background blur
- robust L series construction with dust and splash protection and fluorine coating of the front and rear lens
- advanced ring-type USM autofocus for extremely fast focusing
Canon EF 16-35mm f/2.8 L III USM Canon EF
Unfortunately, we cannot offer this article here. However, you are welcome to order it at www.fotokoch.de
Switch to fotokoch.de- Robust and compact telephoto zoom lens
- versatile zoom range of 70-200 mm
- constant speed of 1:4
- Focusing with ring USM
- 5-stop optical image stabilizer
- Fluorite lenses
- extremely mobile with a weight of only approx. 780 g
Canon EF 70-200mm f/4 L IS II USM Canon EF
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Switch to fotokoch.de- Full-frame autofocus Lens
- with Sony E-mount
- Wide-angle focal length
Zeiss AF Batis 25mm f/2 Sony FE mount
Olympus AF 8mm f/1.8 Pro ED Fisheye Micro Four Thirds black
- fastest fisheye worldwide
- extra large aperture
- for nature photographers
- extremely compact and lightweight
Olympus AF 8mm f/1.8 Pro ED Fisheye Micro Four Thirds black
- Cinema Lens
- Full frame lens
- 4K-capable
- high-quality mechanics and optics
- Lens speed: 1.5
- identical in construction to the other focal lengths in the lens series
- 0.8 mm gear rim
- incl. bag and protective cap
XEEN Cinema 50mm T/1.5 full frame
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Nikon FX
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
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PL-Mount
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
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Sony FE-Mount
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang.
Meaning of the delivery status
Immediately available
The item is in stock and can be shipped at short notice.
The item is also in stock in our shop in Düsseldorf.
Am Außenlager. Lieferzeit 4-6 Werktage nach Zahlungseingang
Der Artikel ist vor Ort in unserem Hauslager nicht vorrätig und wird nach erteiltem Kundenauftrag am Außenlager/beim Hersteller bzw. Disributor bestellt. Die zu erwartende Lieferzeit beträgt 4-6 Werktage.
Item has been ordered
The item has already been ordered from the manufacturer or distributor. The delivery time is usually between 1 week and 2 months. As soon as a more precise delivery time is known, we will publish the details on our website. After placing the order, you will be informed regularly about the delivery time.
Available at a specified date
The item has already been ordered from the manufacturer or distributor. We have been informed of the expected delivery date.
This item is ordered exclusively for you
The item is currently not in stock and will be ordered for you from the manufacturer or distributor after you have placed an order. The delivery time is usually between 1 week and 2 months. After placing the order, you will be informed regularly about the delivery time.
Item has been ordered. Delivery time 1-3 months
The item is currently not available. We were not given a delivery time. Experience shows that the expected delivery time is 1-3 months.
Currently not available
The manufacturer or supplier cannot confirm a date, so we assume a waiting time of 2 to 9 months. You can still order the item and secure your place on the waiting list.
Please note: Despite updating our website regularly, it is possible that an item may be out of stock but shown as available for a short time, especially when orders are high. All information is therefore without guarantee. We will inform you immediately if there is a delay in the expected availability/delivery time. The availability information refers to an order quantity of 1. Availability may vary for higher order quantities.
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Order now, pay later (prepayment)Notification when the product is back in stockProduct reservation and fixed place on the waiting listCancellable at any time free of charge (until delivery)Often a decision for life - the choice of the right lens
Photography is always a question of focus. Clearly, it is the lens that changes the focus and makes all the difference. And it's always a question of skill, of personal preferences and strengths. Of course, the question of which lens the photographer chooses is also due to the available camera systems - whether he prefers to work with system cameras (CSC) or with single-lens reflex cameras (SLR). Fixed focal lengths have no zoom, here the eye of the photographer is needed, because he must know which situation requires which settings. For this reason they have a particularly good imaging performance with very low distortion, which results in their superiority over other lenses. Fixed focal lengths are suitable for a whole range of subjects, from landscape photos to portraits. All lenses from Lensbaby, for example, are manually adjustable. In the field of fixed focal length lenses there are new high-performance classics, optimized for digital technology, for example from Leica or the lenses from Meyer-Optik-G?rlitz, which have been revived according to original plans and adapted to digital technology. Zoom- and Megazoom lenses are high-performance lenses with a particularly wide focal length range with fast, virtually noiseless autofocus suitable for wide-angle or telephoto tasks. Here Nikon surprises with the world's first ultra-wide-angle lens with image stabilizer, which ensures strong images even in low light. Horizons that bend, and pillars that tip forward for no reason ? every photographer knows these difficulties. To photograph distortion-free is a special challenge with landscapes as with architecture Wide-angle lenses are among the fixed focal length, macro, zoom or fisheye, among them a particularly strong distortion-free lens of Canon. While the zooms and megazooms also cover the telephoto range, pure Telephoto lenses are suitable both as fixed focal lengths and as zooms - especially for wildlife and nature photography. At the top end of the range, lenses from Hasselblad and Leica are worthy of any digital post-processing due to their outstanding quality. Olympus currently has developed the lightest and most compact telephoto (Micro FourThirds mount) lens, while Sigma is the world's first lens with a maximum aperture of 2.8 at a focal length of 500 millimeters. Close to the subject ? small becomes huge ? that is the specific feature of the Macros and its versatile field of use. For this special small world, most lens manufacturers carry lenses, like Canon, Nikon, Sony, Leica or Pentax as well as Tamron, Sigma or Samyang. Fish-eye lenses are being covered by D?rr, Samyang, Pentax, Panasonic, Olympus, Nikon, Sony or Walimex. With fisheye photography, creative results can be achieved and surprising effects can be produced, such as mountains that bend and walls that bow outwards. Tilt-and-shift lenses, these are made by Canon, Nikon, Laowa, Leica, Samyang or Walimex, for example, and help the photographer to correct the perspective of the image, i.e. to compensate for particular distortions, such as falling lines in architecture. "Tilt" means pivoting (of the lens system in relation to the image plane). "Shift", on the other hand, means shifting (for example, the focus area can be shifted while maintaining the same exposure time).